Tuesday, October 6, 2009

Renovating thoughts on Writing with Christine Koubek

When we signed the contract to remodel our home, I expected things like cooking on a rent-a-burner, lunchtimes looking at countertops and a daily battle with dust. But now, three weeks in to this three-month endeavor, I’ve discovered things I never anticipated; like how much I could feel like a stranger in my own home, that I’d learn something valuable about writing from the contractors, and—the thing I really hadn’t considered when I gave carte blanche permission to use whatever bathroom was closest—there is rarely a toilet seat down in this house.

With a husband, two sons, and a rotating bunch of six-to-ten men in the house, I am the only person here who wears a bra.

My weekdays now begin with the arrival of men in trucks. We open the garage door, drop cloths are laid down and the saw starts humming in the garage. I say, “good morning,” then clean up the dishes in our soon to be dismantled kitchen and try to stay out of their way.

The problem is I’m a freelance writer working from home. And now this is their workplace too, a workplace full of tools, Baja Fresh stuff, water bottles, and the camaraderie they’ve grown accustomed to: discussing their work, what kind of lunch Leo (the man in charge here) might want for his birthday, and laughing—at what, I’m not sure. More than half of the dialogue is spoken in Spanish, only bits and pieces of which I understand. I debate whether to leave my Spanish/English dictionary lying around so they can never be sure how much I know.

I used to be productive working at home. The only sound was the music I played. Not anymore. While I’m up in my second-floor office, an editor calls about an assignment as a drill makes its zzt zzt sound. I duck into the bathroom and sit on the edge of the tub with the phone in one ear and a finger pressed to the other.

When I’m finished, I sit down at my desk again and type to a cacophony of nail guns, hammering, grunting (what in God’s name are they doing down there?), chatting, and someone singing along (in a pretty good voice) to the chorus of Macho Man. It sounds like there is a fiesta going on in their part of the house. And I am clearly the odd man—make that woman—out.

I try hard not to listen, but I’ve come to realize that there is no one more distractible than a writer on deadline.

What are they talking about? I wonder. I think someone just said: “loco”—what’s crazy? And what was that sound? It must be the window being taken out below me. Why is it so quiet all of a sudden?

I put my headphones on to concentrate and catch myself singing along a few minutes later.

Damn, I’ve got to stop doing that. Oh! I forgot to tell them about that cable jack.

What was I writing about again?

OK. Time to pack up the laptop and go to Barnes & Noble again to work.

When my husband works from home he seems far less unnerved. At first, I assume it is because his home office is located above our garage and not directly on top of the action. Then I realize there is something about the male bonding that’s available right here at home that he enjoys. He occasionally orders pizza with pineapple for everyone, then hangs out in the kitchen and talks about things like what size TV is best (why is it men equate bigger with better?), the pros and cons of surround sound, and, as I think I overheard once, the indecisiveness of women.

I wanted to barge in to that testosterone-infused room and make a case for myself, for all women, but there were at least six men in there and I didn’t have a quick-witted comeback at the moment. This made me even less likely to attend the next pizza lunch. I’ll stick to making them cookies.

There is no one here who speaks my ‘language,’ no one to chat with about the weekend, or the kids, or about the perplexing part of this assignment I am working on.

Although I will say they are very helpful anytime I ask for advice on trim and stone. And if they see me carrying anything, whether it’s a box of stone samples or an armful of roller shades, they take it from me and ask where it needs to go. I have to admit this part of having them here is very nice.

And then one afternoon, a couple weeks in to this process, I had an opportunity to get to know one of the guys a bit. My kindergartner, Colin, and I were walking up the driveway with cupcakes as Fenix was closing up the house for the day. Colin offered him a cupcake. Fenix said: “Thank you.” I told Colin to say “de nada.”

Fenix asked where I was from. I inquired the same and learned that he is from El Salvador and that his brothers live here, too. We talked about families and music and dancing, and when I went in to the house that night, it felt a little more like home.

At three-weeks in (and woefully behind on an upcoming deadline), I discover one more thing I didn’t expect in this process—a cure for writer’s block.

These last few nights I’ve begun a new routine. After all the guys leave, I go and unzip the plastic doorway that separates the dusty side of the house from ours. Then I stand amid the taken down trim, dangling wires and half-built walls and study their work in progress. As I look around it is hard to imagine this part of the house will ever look good again.

Later on, I head upstairs with the boys and lie down in my older son’s bed to read with him. His is the first room done. I scan the newly wainscoted walls and admire the perfect symmetry of the corners. What Leo and the others have meticulously measured, cut and put up now looks gorgeous in gleaming white paint.

This room looked like our first floor does now just a couple weeks ago…and kind of like what my office looks like now, with files strewn about and one project in such a bad state I’m worried it will never turn out well. And then I realize that these guys are in a business not that different from my own, only they accept—actually expect—disarray to be part of the creative process.

They create with wood. I create with words. I can learn something from them.

Their work reminds me that constructing anything can be a challenging and messy endeavor, but that usually, with enough ingenuity and perseverance, something beautiful emerges (at least that is the plan here for our first floor).

Checking out the progress of their work each evening has inspired me to be more patient with my own. There is something familiar here in my house: construction’s version of a rough draft. Maybe I’m not such a stranger here after all.

*This essay orginally appeared in Bethesda Magazine, and we thank them and Christine for allowing us to post it here.

Christine Koubek is a freelance journalist, author, contributing editor at FamilyVacationCritic.com (a new travel site launched under the TripAdvisor umbrella), and a frequent contributor to Bethesda Magazine. Her articles and essays have appeared in The Washington Post, Ladies’ Home Journal, Modern Bride, Budget Travel, San Francisco Chronicle, CruiseCritic.com, MSNBC.com, Washingtonian, Miami Herald, and more. Christine is happy to report that her renovations turned out beautifully, her Spanish, however, still needs improvement.

1 comment:

BrambleRose said...

I saw this on Facebook and loved it! Left my comments there.