In celebration of National Poetry Month, The Writer’s Center is spotlighting
the work of Poet Lore contributors. This installment includes a brief Q & A with author
Matt Terhune about his poem, “We Grew Up” (Poet Lore 110 3/4).
WE GREW UP
BY MATT TERHUNE
Even now,
we walk through each day
dressed in our grief:
our inked denim
rolled
above black oxfords, our
steamed flannel, our skinny jeans,
our
taut woolen suits, our
bodies
branded and
waxed, our chests lush
with hair, our newsboy caps
and molting boas, our
infinite drag.
Haven’t we
been trailed each moment
by the ghost with champagne
press-ons
and streetlamp jewels?
Didn’t we
follow the path of what
haunted us most, tracking game
without weapons, those
claws,
the massive
jaw? We found each other
everywhere: through perfect holes
in arcades, our limbs
rinsed
in the
cinema’s light, in elevators, on
office desks, over steering wheels,
in
backseats, the soles of
our feet
pressed
against the soft underbelly
of the roof, the felted grottoes
of truck cabs, in
bathrooms, over
rest-stop
sinks, on top, on bottom, on our
knees, over our heads, in the
bedrooms
of too many men we
didn’t know.
Maybe we
share more than a name, our bodies,
given over to us and used. Maybe we
divide our dread, our
desire that drives
us into
each other’s arms. They’ll say
we killed ourselves and each other
but maybe we only wanted
what was
ours, our own imprint
of anything we dare call love
in our fathers’ wake.
Maybe we
weren’t born
to be saved. Maybe this
is our heaven.
Sarah Katz: "We
Grew Up" reads to me as an intimate speech addressed to individuals who
identify as LBGTQI. I was particularly drawn to the way you indented the
stanzas following the fifth stanza, which starts with the line, "Didn't we
follow the path of what." The question and the stylistic choice to indent
gave the poem a greater speed even though these stanzas retain the structure of
the previous stanzas. The anaphoric refrain of "maybes" also
seemed to contribute to the poem's urgency, especially with the stunning
revelations of the final lines. How is the white space, in your opinion,
contributing to the poem?
Matt Terhune: “We Grew Up” is one of those poems that just had its way
with me. In retrospect, I had been terrified to explore the matrix of identity
issues here—desire, sex, shame, grief—and that fear had a paralyzing effect on
my writing. The speaker was having none of that dread. He charged headlong into
it and through it and dragged me with him. In some ways, this was my only means
of regaining movement as a poet, a path, however rocky, as opposed to a
complete shutdown.
So I wanted to give that breathless moment in the last
several stanzas some room to roll. Still, I think the white space and the
refrain of “maybes” also exist as an attempt to mitigate some of the risk in
the poem and perhaps betray my underlying anxiety. Can I say this?
Do I dare use first person plural?
Matt Terhune is the author of Bathhouse
Betty (Autumn House Press). His work has appeared in various journals
including American Poetry Review, Antioch Review, and Narrative. He lives in Los Angeles.
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